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Viola lessons in London

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20 viola teachers in London

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20 viola teachers in London

(1 review)
Daniel - London$76
Trusted teacher: Approach to Teaching – I favour a structured approach. I devise lesson plans in advance of every lesson, catered to the student's specific needs. – Violin lessons tend to be carefully planned to focus on specific technical aspects of performance. To train musicality, I often teach this through the use of Kreutzer and Fiorillo etudes, Dont studies, and also pieces of repertoire catered to the student's musical interests and technical requirements. – I am open to considering student repertoire suggestions if they are particularly passionate about a certain piece. Lesson Structure – Typically violin lessons range in length from 30 minutes to an hour, but I am flexible: I am more than happy to devise a lesson structure that caters for a student's requirements. Credentials – I am a Musicology PhD candidate at the University of Cambridge. – I have worked as a private violin teacher for 7 years (since I was 17). I have taught a variety of students, from beginners starting their instrumental training, to more advanced performers looking to improve their technical facility and performance skills. – I have performed at West Road Concert Hall (University of Cambridge), The Lee Tseng Hall (Wolfson College Cambridge), Buxton International Festival, Manchester International Festival, and The Bridgewater Hall. – I have an extensive portfolio of performing credits on documentary films; recent highlights include the docuseries on Ghislaine Maxwell and Jeffrey Epstein 'House of Maxwell' (BBC2, 2022), and 'Sir Alex Ferguson: Never Give In' (Netflix) (Passion Pictures / Universal Pictures) (2021). Performance Credits: Soundtrack: House of Maxwell (BBC2) (2022) *Score nominated for BAFTA award Sir Alex Ferguson: Never Give In (Netflix) (Passion Pictures / Universal Pictures) (2021) The Schnoz (Premiered at the Jewish Film Festival 2020) The Chillenden Murders (BBC2) (2017) The Five Wives & Lives Of Melvyn Pfferberg (2016) Conviction: Murder At the Station (BBC2) (2016) Charlie Hebdo: 3 Days That Shook Paris (Channel 4) (2015) Being AP (BBC + Toronto Film Festival) (2015) The Battle for Marjah (HBO) (2012) Popular Music Releases: Grasscut – Human Estuary / The Garden / Witley Common (2021) (Lo Recordings) Grasscut – Coprolite Tip / Courage Traveller / Edges Of Night (2021) (Lo Recordings) Grasscut – September's Night Sky (2015) (Lo Recordings) Grasscut – Beacon (2014) (Lo Recordings) Grasscut – Pieces (2012) (Ninja Tune) Essa Weira – Glimpse (2020) Jaga Jazzist – Toccata (Grasscut remix) (2010) (Ninja Tune xx Vol. 2) (Ninja Tune) – I hold an MPhil(Cantab) in Music from the University of Cambridge, where I specialised in Historical Musicology and Aesthetics. – I led the University of Cambridge Experimental Music Ensemble (CUEME) during my MPhil year – I have a first-class music degree (74.4%) from the University of Manchester, where I won three Hargreaves Prizes for Academic Achievement. – I achieved a distinction (92%) in my ATCL Diploma in violin performance, and a First (78%) in my final violin recital for my undergraduate degree. – I have worked as an Assistant Music Teacher, which involved teaching to A-Level Music students. Ability of Students – Violin: Beginner to first-level Diploma (ATCL or DipABRSM)
Viola · Violin
Hi! I’m Paloma, I’m a film and videogame music composer, pianist and violist. I give classes in music language, music theory, harmony, and composition from classical to film, piano, and viola. My students are any age, any level from beginner to advanced. I will help with exams, GCSE, and A-Levels, as well as help students obtain their grade 5 theory to advance and take higher grades in composition or viola. I started teaching when I was 17 years old. While I was studying viola and composition I would help colleagues learn Harmonic Theory for University exams or just for fun. Whilst studying, in order to support my learning abroad, I started teaching children and teenagers. The classes included a wide variety, from; supporting their studies during the school year, to their first approaches to music as well as nurturing love and excitement for playing and making music. After University I continued giving classes during the last few years. The compositional strand of training if a student wishes to undergo it has many elements we will learn the theory needed to competently make music learn systems that allow us to break down composition as well as multiple genres. work they can do by themselves at their own pace, allowing each student to work and grow at a rate suited to their ability. -Building a strong understanding of melodies and chords and how different instruments work and support each other. -If they are studying in a formal educational establishment, they will receive support and guidance in regard to their work and exams. When I am giving classes in music language, viola, piano... to children, I always try that the classes will be dynamic but at the same time incorporate a little bit of Theory. I utilised exercises that are designed to engage young developmental minds, like those you’d find on a children’s show. For example, singing, playing... songs allows us to train the ears and help them to begin to recognise the different registers, notes, rhythms and tempo. This was done alongside training on their chosen instruments, my aim was and is to nurture a language of music as well as give them practical skills and exercises they can do on their own. I play the piano and viola, so I always try to support them. When it comes to classes for teenagers I teach them theory and practice as well as strong fundamentals but I also allow time to let them lead their learning to give them more agency, allow them to learn their favourite /contemporary songs. This keeps the passion for music alive. With teenagers, my approach centres on elevating and reinforcing what they learn from school using exercises and providing tools to break down ideas musically. In addition, I also prepare for GCSE and A-levels. Lessons will follow a path of progression, teaching them how to approach the next levels of theoretical and practical competence. Allowing the students to understand their Progression and their path forward increases the likelihood they will continue studying. Lessons are flexible, and curated on a student-to-student basis as well as making sure to incorporate what I believe they need to achieve the next level. This involves; practical music training, ear training, building on theoretical knowledge, as well as learning songs they love to ensure they feel fulfilled and have fun with music.
Viola · Music theory · Piano
I am a professional musician and educator, with international experience as a Violin/Viola/ Chamber Music/Theory teacher, soloist, orchestra leader, chamber musician, and jury member. I have graduated in Violin at the Conservatory of Music "G.P. da Palestrina" of Cagliari- Italy and in Viola at the Conservatory of Music "G. Verdi" of Milan-Italy. My professional activity led me to work in several orchestras as performer, and in various music schools as upper- string and chamber music teacher. I lived and worked in Italy, France, Germany, Spain, Portugal, and since 2012 I made London my home, where I developed further teaching experience within the British system. I have also founded "The Geminiani Project" of which I am the director and the leader of the Camerata Geminiani, ensemble that has been invited to perform in England, Italy, Germany, France, Portugal, Denmark, and Sweden. At the same time I have established my ensemble, I have also launched the Geminiani Youth Orchestra (formed by young musicians aged 6 to 17 years old) as I believe in the importance of giving an opportunity to young players to perform together, and the amateur ensemble Hampton Chamber Orchestra; we performed with both orchestras at various venues in London. Regarding my teaching technique, I believe that each student is different and unique, so the first thing I try to do is to establish a connection, then I try to understand the major skills and major difficulties of the student in order to develop a personalised system; I pay much importance also to the emotional aspect the student is dealing with in order to build passion and love for music. I strongly believe that, once achieved a technical skill, the student must have the chance to play with the teacher and with other students, and feel the excitement of making music together. I have experience in preparing students for auditions, competitions, or ABRSM/Trinity exams with excellent results; I love what I do and I love to see my pupils achieving high level results. Some of my students have been awarded at international competitions, some other former students are covering leading roles in international orchestras or in chamber ensembles.
Violin · Viola · Music theory
Violin · Viola · Children's music
Accomplished performer and teacher currenly holding position at the Royal Philharmonic Orchestra in London. I have been always dedicated and inspired to teach young generations music performance and the artistry. It has been great 10 years since I started pedagogy and it's practice, inspired by my mother - violin teacher herself- who has encouraged me to continue her mission in teaching violin and viola with a great passion. I have obtained Bachelors, Master degree with distinction, Advanced Dip and prestigious Teaching Certificate issued by the Royal Academy of Music.I share my newest methods with great enthusiasm while helping young violinists to achieve their aspirations in music performance. Furthermore, I always aim to introduce the most effective techniques of viola and violin playing by choosing diverse repertoire, discipline of practising, consequently it maximises my students ability to express their musicality. As a teacher I particularly concentrate on the use of the sound of the instrument in it`s full range of colours and the left hand technical brilliance. I prepare students for : *ABRSM exams (with distinction) *Trinity exams *International competitions and masterclasses *Festivals and concerts opportunities *Entrance exams for the best schools of London : Royal Academy of Music, Royal College of Music, Menuhin School and Purcell school of Music. I have a lot of patience, innovative and fun way to approach the lesson, and able to teach any age. If you want to achieve your goals in music performance and you are dedicated student - I am the right teacher for you
Violin · Viola · Music theory
Violin · Viola · Piano
Trusted teacher: By the age of 12 years old, Rhiannon had participated in 5 performances in the Royal Albert Hall as well as a tour of Brittany (France). Since obtaining a BMus (Hons) Degree in 2012, Rhiannon has worked as a freelance violinist internationally with companies such as Burberry & Polydor Music, with orchestras by the likes of BBC concert Orchestra & Nu Civilisation Orchestra, at venues including the Royal Festival Hall, Queen Elizabeth Hall & Ronnie Scotts, in studios including Elstree Studios & BBC Maida Vale Studios, and in festivals including the EFG London Jazz Festival, WOW Women of the World Festival & Crossing Borders Festival in the Netherlands. Rhiannon has experience playing a wide range of genres from working with award-winning artists including Jess Glynne (Pop), Anna-Jane Casey (Theatre), Anne-Sofie Von Otter (Opera), Isabella Melodies (Gospel) & Le Gateau Chocolat (Cabaret). She is the proud Youth Ambassador for the company Black Women In Arts, lead violinist of Tomorrow's Warrior's String Ting, lead violinist of the Nu Civilisation Orchestra, and leads the affiliate orchestra to Jazz Jamaica All-Stars. Rhiannon and is currently doing a Masters in Jazz Violin Performance at Guildhall School of Music. Rhiannon an experienced teacher currently teaching for Tri-Borough Music Hub. She spent 7 years teaching in two top preparatory schools in London, and also taught jazz and improvisation at the Southbank Centre for Tomorrow's Warriors to adults. She has given masterclasses at venues including the Southbank Centre and Rich Mix, and led multiple masterclasses as part of the Yehudi Menuhin Centenary Week in 2016. Rhiannon's teaching experience includes preparing children for exams and auditions - with some of her pupils having been awarded music scholarships to top independent schools in London, as well as places at Junior Guildhall School of Music & Drama, and The Centre for Young Musicians.
Violin · Viola · Music theory lessons
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Born on 11th June 1984 in Northern Iran in a city called Bandar-e-Anzali and raised in an educated family , Faraz started his musical education at the age of 18 at a local music institution as he just attended translation studies B.A course in Rasht Azad University. To achieve more comprehensive skills in violin-viola performance and teaching he later in 2007 continued his learning procedure in Capital Tehran where he first met Dr Setare Beheshti faculty member of University of Tehran, School of Fine Arts. Being under her instructions he got introduced to Suzuki School of Violin and simultaneously started to teach violin to several kids in different cities of province Guilan through Suzuki Method. Since 2007 he has been teaching 40 to 70 students each week planning their music career in orchestras and string ensembles. He has also conducted several student violin recitals and introduced more than 10 students each year through those recitals. In 2009 he enrolled BA course in Iranian music performance at The University of Guilan , school of Architecture and Art and graduated in 2014 . His final thesis was in two part; one was an article about a comparison between the styles of violin playing in Iranian classical music , and the other was performing 4 of his composition and arrangements for a mixed fusion ensemble. At the autumn of 2014 he entered MA course in Ethnomusicology at University of Arts , School of Music, and has been graduated on 2017. In 2012 he and four of his graduated colleagues have founded Guilan Chamber Orchestra mostly from the teenage students which has performed 3 independent concerts in different genres . He arranged two folk and Iranian classical song for the Orchestra performed in 2014. He composed an Album called "The Impression on the Wall" in Iranian Orchestral style published in 2011 and have won the third prize in provincial productions' festival about a year later. In 2010 he composed his first film soundtrack for a fictional documentary movie called " He owns a Factory near the Town". He had been teaching in several private music academies meeting around 60 student a week developing his teaching career every day. He is now studying Master of Music Education at Royal College of Music in London.
Violin · Viola · Children's music
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Only reviews of students are published and they are guaranteed by Apprentus. Rated 5.0 out of 5 based on 2 reviews.

Tuition in Violin/Viola Performance, Musicianship, Music Theory, and Music History (Barnsbury)
Daniel
My first lesson with Daniel was just what I wanted and more. Daniel made me feel very comfortable and let me play some music I had been working on. Then Daniel looked at all aspects of my playing in a thorough manner and signposted plans for future lessons. I was really wanting my technique to be reviewed thoroughly and Daniel did exactly this, in a very supportive and encouraging manner. It was incredible to hear the change to my playing Daniel helped me make within the hour. Looking forward to the next lesson! Many thanks!
Review by SOUMEN
Violin and Viola Lessons - Learn a new instrument or improve your skills (Blackheath)
Joana
Joana is a wonderful teacher. She is friendly and patient. She will help you work towards your goals at a pace that works for you.
Review by NICOLA