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Percussions and rhythms of the world // Musical awakening // MAO

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The world of rhythm and drums from around the world attracts you... you are a novice or want to improve your skills, you are looking for workshops in private lessons or in groups,...

Welcome!

Multi-percussionist on stage and in the studio, experienced teacher and performing artist for over 25 years, I offer introductory, development and advanced modules in world percussion, for all audiences.
(individual, group and internship courses)

The educational objective is based initially on the acquisition of general notions in rhythmic solfege, various instrumental techniques and a repertoire of rhythmic-melodic vocabulary, subsequently supplemented by the exploration of polyrhythm and improvisation.

By listening to and reproducing more or less long and complex rhythmic patterns and cells, it will be a question of acquiring all-terrain bases, of recognizing and refining one's own playing dynamics, of understanding the principle of orchestration and of opening oneself to the incredible experience of trance.

Percussion lessons always involve several instruments and levels:

For all levels:
congas, bongos, bata drums, cajon, bendir and tär (frame drums), djembe, dundun,
drums
and minor percussion (accessories: shaker, triangle, karkabou...

And also for novices & intermediates:
Indian tablas

Point essentially addressed for a musical and psycho-sensory immersion work:

the roles of rhythmic instruments in contemporary, ethnic and scholarly music, and the metrics of each musical current.
the strokes specific to each instrument and a playful rhythmic solfeggio (visualization, learning and interpretation of rhythmic sequences by writing and / or voicing)
the poly-rythmie around current musics and world music (African, Caribbean, Indian and oriental traditions): simultaneous combination of rhythmic cells, sometimes of different size, to form a rich, well-rounded and harmonious phrase.
groove and inner pulsation (or inner partition)
guided improvisation and discovery of one's own interpretive fiber.
orchestration or arrangement of instrument families in an orchestra.
the song and the breath, the setting in voice and in space of the rhythm, to refine the sensory language of an adequate dynamic gesture.

I provide on request personal work media (CDs, scores, videos).

Apart from stage music, I also work for live shows (storytelling, theater, circus, pantomime, contemporary dance ...), documentary film and audio-visual.

I frequently intervene in musical awakening for early and middle childhood (maternity hospitals, schools, leisure centers) and also in specialized settings (day hospitals, IME) and at home, as part of mediation actions in art. therapy.

Hoping to share with you my passion for teaching and the melody of rhythm.
Stéphane
Musically !

Extra information

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I would advise you, if you wish, to eventually acquire your own instrument.
Do not hesitate to ask me for a referral or a possible search.

Location

Online via webcam
At teacher's location: Le Coulet, Saint-Maurice-Navacelles, France
At student's location: Around Montpellier, France
At student's location: Around Ganges, France
At student's location: Around Montagnac, France
At student's location: Around Saint-Jean-de-Fos, France

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General info

Age:
Preschool children (4-6 years old)
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level:
Beginner
Intermediate
Advanced
Duration:
60 minutes
90 minutes
120 minutes
The class is taught in:French, English, Spanish

About Me

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The sound material is wonderfully alive, sacred and in perpetual motion.
Discovering the piano and comedy from the age of 5,
I am passionate about percussion of the world, from 13 years old, in contact with the Senegalese sabar and the derbouka.

At the crossroads of music from India and the Middle East
African drums (under the luminous glasses of Antoine Ore Lago, soloist of the National Ballet of Abidjan, Pierre Marcault, Modou Gaye and Soundioulou Sissoko), Cubans and Afro-Caribbean (with Miguel Anga Diaz, Orlando Poleo and Miguel Gomez )
from the trance of Gnawa to current music,
I give full space to a colorful and intuitive creativity.
At 20, I completed my training in Afro-Cuban percussion.
I develop the uniqueness of a game fed by multiple stylistic influences, through a wide range of artistic collaborations
and co-creative meetings ...

Several instruments inspire my exploration of melody and rhythm:
Congas, Bongos, Cajon, Batas Drums

Djembe, Dunduns

Indian tablas, Tär, Bendir

Claves, Shakers, Logdrum, Gongs ... minor percussions.

Drums
Clarinet
Voice
It is always in the continuity of a passionate self-taught trip, that I devote myself to dramatic expression,
mime, storytelling, staging and, since 2003, care and art therapy, through bioenergetics, the symbolism of archetypes and music therapy.
... composer, singer, choir director,
actor, professor of theater and body language,
Teaching in ethnic percussion and intervening in music therapy and musical awakening, I like to transmit my ever growing desire for free expression and meeting.

Education

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ISAAC School of Paris (School of Latin Music) - currently Tematica

Conservatory of Chelles (92) in Ethnic Percussions, with Pierre Marcault

Trained in Cuban percussion with Miguel Anga Diaz and Miguel Gomez.

Music Conservatory of the 19th arr. de Paris (piano section)

Experience / Qualifications

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Composition, Beat making & Sound Design in MAO
(film music, soundtracks, illustrations and soundscapes)

Studio recording, mixing, arrangement

Scenes and tours

Artistic direction

Teacher training

Team Building

Sound therapy and voice

Actor, direction and direction of actor

Reviews (1)

First interesting lesson with a real passionate musician.
Translated by Google. Click to view original.
CONFIGURATIONS LOGICIEL ET MATÉRIEL Logic Pro 10 ou 11 : Présentation, points forts, innovations et idées reçues Branchement et configuration de vos périphériques Choix du matériel en fonction de votre budget et de vos besoins Configuration et optimisation de votre Home Studio Préférences et réglages du logiciel Téléchargement et gestion des bibliothèques de sons GESTION DE PROJETS DANS LOGIC PRO Création et configuration d'un nouveau projet Gestion des modes de Logic Pro (simplifié ou expert) Préférences et réglages du logiciel et de vos projets Configuration tempo, métronome, décompte, chiffrage de mesure et tonalité Sauvegarde immédiate, dossier, paquet L'INTERFACE DE LOGIC PRO Les différentes fenêtres Les outils principaux et secondaires, les Zooms, les raccourcis claviers Les inspecteurs de tranche de console, de piste, de région, utilisation de l’aide La bibliothèque, les patchs, les modules (plug-ins), les sons Les navigateurs de Logic Pro (Apple loops, listes...) Les éditeurs MIDI, audio et Session Player La table de mixage Barre de commande et d’affichage, la barre d’outils LE MIDI DANS LOGIC PRO Piste d'instrument : Création, personnalisation de la piste Enregistrement MIDI Réglage du métronome, du décompte et de la latence Choisir un instrument, un son, un patch Les modes d'enregistrement : Live, pas à pas, en dossiers, autopunch Édition : Outils, Piano Roll, éditeur de partitions et éditeur pas à pas Quantification, redimensionnement, vélocité, légato, expression, modulation L’automation MIDI LE SESSION PLAYER DE LOGIC PRO Le Session Player; les instrumentistes virtuels de Logic Pro Drummer acoustique : Choix du batteur, modification des éléments, édition du jeu, swing et humanisation Bass et Keyboard Player : Choisir un son, articulations, mode de jeu et variations Structure ULTRABEAT Interface de l’Ultrabeat, sons et styles des 100 drum kits Beat-Making : Sequencer interne, mode full view et pattern mode Les paramètres Accent, vélocité, gate et swing Introduction au Step Sequencer associé à Ultrabeat, les régions de motifs LES APPLE LOOPS les Types de boucles : Audio, MIDI, Motifs et Session Player Organisation, filtres et recherche par instrument, styles et sonorité Navigateur, tempo, longueur, tonalités, modifications Création, sauvegarde et archivage des Apple Loops personnelles Construire un arrangement avec les Apple Loops L’ENREGISTREMENT AUDIONUMÉRIQUE Enregistrement : pré-amp, conversion AD/DA, latence, buffer et monitoring Réglages de projet : fréquence d’échantillonnage et résolution Enregistrement piste par piste et enregistrement multi-pistes La gestion des modes Autopunch et Replace Les dossiers de prises et les pistes alternatives Mode Cycle EXPLORATION DE KONTAKT Kontakt est votre passerelle vers un trésor inégalé d'instruments virtuels. Plus qu'un échantillonneur, Kontakt a alimenté deux décennies de musiques de films à succès et de succès en tête des charts, ainsi que des milliers d'instruments incroyables. L'ÉDITION AUDIO DANS LOGIC PRO Comping de prises : montage audio et export Les outils d’édition : Selecteur, redimensionnement, fade, crop... Utilisation du Flex pour le timestretch/warp Quantification audio et gestion des transitoires Flex Pitch : Correction de justesse et création d'harmonies Insérer des silences CONFIGURATION DES PISTES GLOBALES DANS LOGIC PRO Disposition : Structure de l'arrangement Marqueurs : Repères et navigation Altération : Tonalité générale et chiffrage des mesures Tempo : Changements de tempo dans les pistes globales ou l'éditeur de liste Pistes d’accords associées aux session Player Bass et Piano LA TABLE DE MIXAGE DE LOGIC PRO Les différentes tranches de console Les composants d'en-tête de pistes, mute, les écoutes solo (pistes/région) Gestion des panoramiques Organiser les Track Stack, les groupes, les VCA Gestion des bus et auxiliaires pour le routing Traitements et effets en insert et/ou en auxiliaire L'AUTOMATION Les techniques générales pour donner de la dynamique à vos mixages Enregistrement d'automations : Read, touch, latch et write Automation de piste/région et édition des automations Assignation de contrôleurs à des paramètres d'automation PARTAGE ET EXPORT D'UN PROJET Sauvegarde : dossier ou paquet, archivage, back up, Time Machine Normalisation et pré-mastering Export au bon format en fonction du support final

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from 41€At teacher's location
from 41€Online via webcam
from 58€At student's home

Good-fit Instructor Guarantee


If you are not satisfied after your first lesson, Apprentus will find you another instructor or will refund your first lesson.

Online reputation

  • Instructor since February 2014
  • Phone number verified
  • Google connected

Availability of a typical week

(GMT -04:00) New York
MonTueWedThuFriSatSun
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21
  
  
  
  
  
  
  
22
  
  
  
  
  
  
  
23
  
  
  
  
  
  
  
from 41€At teacher's location
from 41€Online via webcam
from 58€At student's home

Good-fit Instructor Guarantee


If you are not satisfied after your first lesson, Apprentus will find you another instructor or will refund your first lesson.

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