Que vous souhaitiez élever votre jeu de Chopin à un niveau supérieur ou jouer votre morceau préféré au piano, je suis là pour vous aider à atteindre cet objectif. Forte d'une carrière professionnelle en tant que pianiste concertiste et professeur de piano, je suis titulaire de Diplôme supérieur d'enseignement avec mention très bien. En parallèle de ma carrière de pianiste solo professionnel, j'apprécie également la collaboration avec d'autres musiciens. Je suis titulaire de diplôme supérieur de musique de chambre et j’ai obtenu le DEM en accompagnement au piano au CRR d'Aubervilliers où j’ai acquis les compétences pour transpositions, harmonie, réduction d’orchestre et de choeur. Avec ma formation en musicologie (Licence en musicologie), je suis en mesure de donner des cours particuliers en formation musicale, en harmonie et en histoire de la musique. Mon expérience couvre une vaste gamme d'âges et de parcours, allant des élèves de l'école primaire aux professionnels en reconversion, tels que des médecins à la retraite. Alors, qu'attendez-vous ? Réservez dès maintenant votre premier cours, et entamez votre voyage vers l'excellence pianistique. Whether you want to take your Chopin to the next level or play your favorite song on the piano, I can help you achieve your goal. Embarking on a professional journey as both a concert pianist and piano instructor, I successfully obtained the "Diplôme supérieur d'enseignement" competition at the Ecole Normale de Musique de Paris Alfred Cortot with the distinction of "mention très bien." Concurrently with my solo pianist career, I derive pleasure from collaborating with fellow musicians. I obtained the "Diplôme Supérieur de musique de chambre" of école normale de musique de Paris and the DEM of piano accompagnement in CRR d’Aubervilliers where I acquired the skills of transposition, harmony, orchestra and choir reduction. Utilizing my academic background in musicology (Bachelor's degree in musicology), I am skilled at offering private instruction in music theory, harmony, and music history. My extensive experience includes a wide range of students, from elementary school children to retired medical professionals. What are you waiting for? Book your first class now and kick-start your journey to mastering the piano.

Maarten will give you the piano lessons. He can teach classical, and jazz piano. He graduated his studies in the conservatory of Amsterdam with prof. Jan Wijn and graduated with the highest score among piano students (Bachelor of Music, piano). He played several solo and chamber music concerts in concert hall, church, museum, library, hospital and elderly houses. He is regularly invited by Belgium Chamber music festival to play with famous musicians such as guitarist philip Catherine. Recently he graduated master degree in Brussels Conservatorium studying with prof. Boyan Vodenitcharov. Since he has a lot of knowledge of harmonization and counterpoints, he has composed and arranged many works and played many of his own pieces in concerts. Asako will give the cello lessons. She has master degree, cello performance and chamber music, also has an academic university diploma for Musicology. She studied in Japan, Hungary (Franz Liszt Academy), Norway (Norway Academy of Music), and Netherlands (Conservatorium van Amsterdam, Utrecht Conservatoire).She can teach in Japanese, English and on a basic level in Hungarian and French. Asako can teach the cello for all levels and ages. Especially She is enthusiastic about teaching.

Graduated with a master's degree from the Milan Conservatory, an artist certificate from the Royal Conservatory of The Hague and winner of international competitions, I teach harpsichord, piano and music theory in Paris. I accompany beginners or experts to build a solid foundation or deepen their technique, expression and musical culture. I believe that teaching music theory should never be detached from the music played, and I pursue a teaching method linking the two.

Hello, I like to transmit and exchange with my students. Seeing them understand and progressing is essential and very rewarding for me. My lessons are based on an academic method focused on learning music theory and instrumental practice. I bring a specific method adapted to the profiles of my students (age, availability, tastes, motivation, "anti-music theory"). I try to make my students independent, help them develop their listening skills, their sense of rhythm and transmit to them an efficient working method. All styles, all levels: pop, rock, funk, jazz, blues, soul, reggae, latin

I propose saxophone lessons for all ages, all levels, and in all styles. I have been running private lessons for 25 years, as well as giving workshops and master classes in colleges and universities. During a lesson I encourage the student to work on: posture, breathing and the position of the mouth (embouchure), helping the projection of sound; the development of the tone; i teach the student how to phrase and play a beautiful melody; techniques of improvisation; understanding harmony; having confidence in his/her playing skills; techniques of listening and interacting with the rhythm section; learning new songs and experiencing different styles of music; Introductions to key saxophonists. Above all i encourage my students to have fun with music! Course locations: Paris 13th and neighbouring arrondissements. Languages: French, English. I have been working as a Professional for 25 years, I have toured all over the world. I am also a composer with six albums under my name. I'll be very happy to meet with you! Musically, Rob

PRIVATE PIANO LESSONS FOR CHILDREN FROM 6 YEARS OLD AND ADULTS AT THE TEACHER'S / IN MONTMARTRE / OR AT THE STUDENT'S BENEFIT FROM A WEEKLY LEARNING PROVIDED BY A CNR/CNSMP GOLD MEDAL TEACHER WINNER OF A UNANIMOUS LEOPOLD BELLAN TOP LEVEL AWARD. CLASSICAL OR JAZZ REPERTORY PERSONALIZED AND ENGAGING LEARNING ENVIRONMENT

My goal is to ensure that the student, whatever their age or musical level, learns not only to play and master their instrument but also to have fun even in the technical learning phase. The working methods revolve around knowledge of the instrument, technique, style, musicality but can also occasionally focus on historical contextualization if the student wishes to approach this approach. The repertoire offers endless avenues of work and great musical discoveries!

I am a professional lyric soprano graduated from the CNSM of Lyon. I participate in productions with the Concert d'Astrée, the Choir of Namur, Accentus, the Opéra National de Lorraine, Choir de la Chapelle Harmonique. I am also on the lists of the Montpellier Opera, Concert Spirituel, Ensemble Correspondances and Radio France choir. I have just finished a production of Haydn's Die Schöpfung at the Opéra National de Lorraine last January-February, conducted by Marta Gardolinska (Guillaume Fauchère choir director), directed by Kevin Barz. I sang solo and in chorus the role of the Trojan woman in Campra's Idomenée in 2021 at the Lille Opera and the Berlin Staatsoper, staging of the fura dels baus, I also sang the solo of Campra's Requiem at the philharmonies of Luxembourg, Lille, Essen Cologne and Berlin with the Concert d'Astrée in 2019 directed by Emmanuelle Haïm. In 2019, I participated in the production of Les Indes Galantes by Rameau with the Namur Choir at the Opera Bastille, directed by Leonardo Garcia Alarcon and directed by Clement Cogitore. In 2022, I participated in numerous productions, notably with the Accentus choir in Beethoven's 9th symphony, the missa solemnis or even a polyphonic baroque project. In 2022 I participated in the production of Hulda by Cesar Franck with the Namur Choir at the Grand Manège de Namur, the Liège Philharmonic and the Théatre des Champs Elysées. My background as well as my skills in lyrical singing allow me to master my instrument well. I am a very curious and very patient person, and I like to find solutions to problems. Transmitting my passion to students wishing to discover or develop their voices, discover their artistic personality would be a great pleasure for me. If I can transmit this joy that I have from singing as well as my acquired knowledge, it would be a great exploration for them as for me.

Fatjona is a concert artist who has been teaching the piano for fifteen years. His long mentoring experience includes several teaching positions in associations, schools and conservatories in Paris and the Paris region. She had the opportunity to train more than a hundred students of all ages, from beginners to confirmed professionals. His students have achieved significant results in exams, competitions, concerts and castings. His approach includes Russian and French musical pedagogy within the framework of an individualized teaching method adapted to the tastes, motivations and abilities of each student. For lessons taught at home, all students will have the opportunity to present their progress during an end-of-year show organized in a theater in Paris. ------ Universal service employment checks (CESU) and (CRCESU) are accepted ------

Graduated from a license in musicology, I am currently pursuing my graduate studies at the conservatory in the scholarly disciplines of composition, analysis, writing, musical arrangement as well as Jazz. I have been playing guitar for many, many years now, as well as piano and flute. I have been teaching guitar, piano, flute and musical education for several years now to children, teenagers and adults. I also have a very good level in music theory, writing (jazz and classical), harmony as well as musical composition. My classes are based on listening as well as the development of the musical ear and musical creativity. I try to transmit my passion for music by making my students discover very varied horizons, from jazz to classical music, including current music and so-called traditional music. I also seek to develop autonomy in my students, an essential quality in order to flourish both musically and in everyday life. This is why I insist on the knowledge of the instrument and the development of creativity through the teaching of applied music theory and the development of the ear. My course is aimed at both beginners and people of an intermediate or advanced level who would like to improve their skills. If you are looking for a teacher who is both an educator and attentive to your personal musicality, do not hesitate to contact me.

Music is a globally recognized form of expression that connects and unites us in various ways. As a musician, I have tried to inspire people from different walks of life to feel the joy and love of playing the piano and creating music. I have composed music for multiple bands, played for choirs, and accompanied many influential artists. I cleared the Grade 8 examination from Trinity College of Music, London in piano performance. My main goal as a music teacher is not just to provide training and lessons, but to inspire students to continue to learn and gain skills on their own and master the art of music composition. I offer classes both at the student's location and my own. My curriculum blends aural training, sight reading, performance, and composition (tailored to each student's proficiency level).

Hello! I offer piano lessons for all levels, and according to a method similar to that of the conservatory. Always oriented towards musical practice, together we will refine the strategy that suits you best. What I like most about individual lessons is to adapt the course to the needs of the student, like the teachers who marked my training. I believe that a student's progress depends a lot on his teacher. For this reason, I always give them the best of myself. Punctual and patient I think I have the facilities to transmit my know-how and above all I have the desire, the motivation and the pleasure to teach my passion. For those students who wish, preparation for an internationally renowned diploma (such as the ABRSM) is offered, depending on the level. The courses are given in various languages: including French, English or Spanish.

As a lyrical singer I had the opportunity to perform at an international level but also to continue to teach my profession. My "teacher creed" In vocal pedagogy, I would say that I always find myself "face to face" with a new and unique instrument - the voice: each student is unique and that is why we must look for individual didactic and methodological tools. This means that I am able to lead a singing lesson in different ways so that I can find the vocal exercises or personalized and appropriate pieces of music to get the most out of each student. My vocal technique is based on breathing exercises, awareness of the whole body as an instrument, knowledge of the biological principles of breathing as well as the artistic meaning of breathing. My basic goals are: to maintain a feeling of high position while singing (singing with resonance), binding purely distinctive vowels (legato singing), developing the range of a voice step by step and balancing the vocal registers. While "building" the voice, I take the assessment and development of a student's personality seriously, which I think is undeniable in arts education. It also consists in knowing the appropriate repertoire according to the vocal development of each student.

Graduated from the Master of Musical Pedagogy and the Master of Concert at the Geneva University of Music, I have developed my teaching experience since 2012. My piano lesson offer is designed to adapt to students of all levels and all age groups. I offer a diverse and rich repertoire that will stimulate your musical expression!

Former student of the Conservatoire National Supérieur de Musique et de Danse de Paris, editor-in-chief of the magazine Avant-Scène Opéra, editor for the Philharmonie du Luxembourg, I offer you the following lessons. Music theory and musical culture are essential tools for understanding and making music. Music theory, because it allows you to master the technical tools that allow you to make music, is fundamental for anyone who wants to progress in their instrument. Musical culture makes it possible to understand what goes on in music beyond the technique. From this knowledge (established over a lot of listening) we can develop an interpretation and go beyond technical issues. For music theory lessons only, I constantly articulate the different musical parameters (rhythm, intonation, ear, etc.) and draw my training from the repertoire, which has the advantage of making music from the start. Small technical exercises also allow you to focus on one or the other parameter, but the perspective remains mainly that of a global approach placing the music at the center. As far as musical culture is concerned, I use each of my professional experiences (Musicologist, playwright and music critic) to transmit my knowledge to you. Thus we will approach the history of music through works (history of forms and languages), interpretation and places of music. It is mainly through the study of documents (texts of musical criticism, iconography, scores, musical instruments...) that transmission takes place. Knowledge completes and informs this documentary study. Finally the study of document and the erudition have only one goal: to enlighten the listening of the works which I place at the heart of my teaching.