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Piano, Composition, Music Theory, Harmony and counterpoint
Learning music, is directly connected to the cognition system of our mind, and our cognition is the first step to perceiving the music, so it is essential to understand music and perform it.
I am proposing classes in Piano, Composition, and Music Theory and writings.
In the class of Piano depending on the student's wishes, we work on different methods, from learning music just as an activity to students who wish to continue their profession as a musician.
The class of composition has the same algorithm as the piano class, the method selection is based on the student's wishes.
Music Theory is proposed in both classes of composition and piano on the side but for the students who wish to learn music theory separately with more concentration, I offer this class as a separate class too.
Class of Harmony and Writing actually has the same situation as music theory classes but students in the course of composition will be more specialized in harmony and counterpoint than piano students and of course, this course is proposed as a separate class too.
I am proposing classes in Piano, Composition, and Music Theory and writings.
In the class of Piano depending on the student's wishes, we work on different methods, from learning music just as an activity to students who wish to continue their profession as a musician.
The class of composition has the same algorithm as the piano class, the method selection is based on the student's wishes.
Music Theory is proposed in both classes of composition and piano on the side but for the students who wish to learn music theory separately with more concentration, I offer this class as a separate class too.
Class of Harmony and Writing actually has the same situation as music theory classes but students in the course of composition will be more specialized in harmony and counterpoint than piano students and of course, this course is proposed as a separate class too.
Location
At student's location: Around Paris, France
At teacher's location: home paris, Rue Aimé Césaire, Saint-Ouen-sur-Seine, France
At student's location: Around Saint-Denis, France
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General info
Age: | Preschool children (4-6 years old) Children (7-12 years old) Teenagers (13-17 years old) Adults (18-64 years old) Seniors (65+ years old) |
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Student level: | Beginner Intermediate Advanced |
Duration: | 30 minutes 45 minutes 60 minutes |
The class is taught in: | English, French, Persian |
About Me
Translated by Google. Click to view original.
Parsa, born in 1995, is an Iranian musician and composer from Tehran, Iran. He first started his music pieces of training at the age of 4, under the instructions of his father. By the age of 8, he focused on Violin as his main instrument and received his first lessons on Music Theory and Classical Music. A few years later, he began his professional education in Music Composing with Idin Samimi Mofakham and Martyna Kosectka and Piano as the main instrument with Martyna Kosecka and Niloofar Badrikoohi.Since September 2019, he has been studying in Mons Royale Conservatory of Music under the supervision of Claude Ledoux, Geoffrey François, Gilles Gobert.
CV in French:
TRAINING
2019 - present
-Study composition at the Royal Conservatory of Mons with Mr. Claude Ledoux
2017-2019
-Private course in composition and orchestration with Ms. Martyna Kosecka
2017
-Participation in the seminar of Sepia Ensemble, Tehran
-Participation in the seminar of Mr Juho Laitinen in Tehran (on the cello and playing techniques
extended)
-Participation in the seminar of Mr Erik Drescher in Tehran (The Glissando flute)
2016
-Participation in the seminar of Mr Geert Callaert in Tehran (Extended technique for piano)
-Participation in the seminar of Mr Joannes Kretz in Tehran (electronic composition)
2015-2019
-Private course in composition, music theory and contemporary music with M.Idin Samimi
Mofakham
2016-2019
-Private Piano Lesson with Mrs. Niloofar Badri-Koohi
2014-2016
-Private Piano Lesson with Ms. Martyna Kosecka
2013-2014
-Private Piano Lesson with Ms. Mahnaz Shadipour
2013
-Has accepted at the Tehran University of Art as an Urban Engineer
2010-2013
-Participation in Olympiad physics and astronomy courses
2008-2009
-Music theory course with Mr. Alireza Mashayekhi
2002-2012
-Violin lessons with Mr. Amir Fathi
2000-2001
-First music lessons with Mrs. Soodabeh Salem (Orff Schulwerk)
WORK EXPERIENCE (Teaching and Performing)
2020-2021
-Request for the composition of a piece for Musiques Nouvelles and a piece performed on February 22, 2021 at Arsonic with the title “Breaking News: We f * hate you!”
2019
-Summer selected as jury in "Noise to Noise Record Production Label"
March and April 2019
- He was asked to compose a piece for the Tehran Limited Access Festival for Piano and Electronics and it was performed by himself with the title “Sic Mundus Creatus est” (https://youtu.be/-6mxdtttUI4 )
-Two piano concerts at "Aksan Piano Academy" and "Pedal Piano Academy"
2018-2019
-Piano instructor, educational advisor and internal director at the Pedal Piano Academy 2018
-Seven piano concerts at the "Pedal Piano Academy" and at the "Aksan Piano Academy"
February 2018
-Performance of the piece "Oscillation for piano and cello" at the Rooberoo Mansion September 2017
-Performance and publication of the electroacoustic music piece "Homage to Qolamali Margiri- Metamorphosis for fixed supports" at the 35th "General Assembly of the International Confederation of Electroacoustic Music CIME / ICEM in Moscow"
2017
- Ten piano concerts at the "Aksan Piano Academy"
Since 2016
-Instructor of the history of music and the theoretical bases of music for beginners at Institut Navaye-Ney
2016-2019
-Piano instructor at “Aksan Piano Academy”
LANGUAGES
-English (fluent)
-French (Participate in the transition course from A1 to A2) -German (A2)
-Farsi (mother tongue)
Education
Translated by Google. Click to view original.
2019 - present-Study composition at the Royal Conservatory of Mons with Mr. Claude Ledoux
2017-2019
-Private course in composition and orchestration with Ms. Martyna Kosecka
2017
-Participation in the seminar of Sepia Ensemble, Tehran
-Participation in the seminar of Mr Juho Laitinen in Tehran (on the cello and playing techniques
extended)
-Participation in the seminar of Mr Erik Drescher in Tehran (The Glissando flute)
2016
-Participation in the seminar of Mr Geert Callaert in Tehran (Extended technique for piano)
-Participation in the seminar of Mr Joannes Kretz in Tehran (electronic composition)
2015-2019
-Private course in composition, music theory and contemporary music with M.Idin Samimi
Mofakham
2016-2019
-Private Piano Lesson with Mrs. Niloofar Badri-Koohi
2014-2016
-Private Piano Lesson with Ms. Martyna Kosecka
2013-2014
-Private Piano Lesson with Ms. Mahnaz Shadipour
2013
-Has accepted at the Tehran University of Art as an Urban Engineer
2010-2013
-Participation in Olympiad physics and astronomy courses
2008-2009
-Music theory course with Mr. Alireza Mashayekhi
2002-2012
-Violin lessons with Mr. Amir Fathi
2000-2001
-First music lessons with Mrs. Soodabeh Salem (Orff Schulwerk)
Experience / Qualifications
Translated by Google. Click to view original.
2020-2021-Request for the composition of a piece for Musiques Nouvelles and a piece performed on February 22, 2021 at Arsonic with the title “Breaking News: We f * hate you!”
2019
-Summer selected as jury in "Noise to Noise Record Production Label"
March and April 2019
- He was asked to compose a piece for the Tehran Limited Access Festival for Piano and Electronics and it was performed by himself with the title “Sic Mundus Creatus est” (https://youtu.be/-6mxdtttUI4 )
-Two piano concerts at "Aksan Piano Academy" and "Pedal Piano Academy"
2018-2019
-Piano instructor, educational advisor and internal director at the Pedal Piano Academy 2018
-Seven piano concerts at the "Pedal Piano Academy" and at the "Aksan Piano Academy"
February 2018
-Performance of the piece "Oscillation for piano and cello" at the Rooberoo Mansion September 2017
-Performance and publication of the electroacoustic music piece "Homage to Qolamali Margiri- Metamorphosis for fixed supports" at the 35th "General Assembly of the International Confederation of Electroacoustic Music CIME / ICEM in Moscow"
2017
- Ten piano concerts at the "Aksan Piano Academy"
Since 2016
-Instructor of the history of music and the theoretical bases of music for beginners at Institut Navaye-Ney
2016-2019
-Piano instructor at “Aksan Piano Academy”
Reviews (1)
My son had his first lesson with Parsa and he was extremely happy. Parsa is very nice person, patient and very experienced. Very nice approach to 9 year old boy who started the piano lessons. We are very pleased with his professional approach.
Electronic music, perhaps with its interdisciplinary nature, is a vast field to get into, a world of creativity and art, science and technology, and philosophy and thoughts. The course of electroacoustic composition (in other words computer-assisted composition) follows the interdisciplinary fundamentals of the topic. During these courses, we will speak and work on electronic music aesthetics and musical discourses, form and structure, and indeed the utils of using software such as Ableton, Max, Supercollider, VCV RACK, reaper et cetera, to be able to materialize the musical idea with electronic tools.
Students can create and compose electronic music, sound designs, multimedia art (music and ... ), installations and performances, etc during and after the courses.
Learning music, is directly connected to the cognition system of our mind, and our cognition is the first step to perceiving the music, so it is essential to understand music and perform it.
I am proposing classes in Piano, Composition, and Music Theory and writings.
In the class of Piano depending on the student's wishes, we work on different methods, from learning music just as an activity to students who wish to continue their profession as a musician.
The class of composition has the same algorithm as the piano class, the method selection is based on the student's wishes.
Music Theory is proposed in both classes of composition and piano on the side but for the students who wish to learn music theory separately with more concentration, I offer this class as a separate class too.
Class of Harmony and Writing actually has the same situation as music theory classes but students in the course of composition will be more specialized in harmony and counterpoint than piano students and of course, this course is proposed as a separate class too.
Ask a question
Send a message explaining your needs and Parsa will reply soon:
The more detail, the better.
Ex. "Hi, when are you available to meet for a lesson?"
Ex. "Hi, when are you available to meet for a lesson?"
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from 284.03 CNYAt teacher's location
from 284.03 CNYAt student's home
100% Satisfaction Guarantee
Good-fit Instructor Guarantee
If you are not satisfied after your first lesson, Apprentus will find you another instructor or will refund your first lesson.
Online reputation
- Instructor since April 2021
- Phone number verified
- Facebook connected
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- Linkedin connected
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from 284.03 CNYAt teacher's location
from 284.03 CNYAt student's home
Good-fit Instructor Guarantee
If you are not satisfied after your first lesson, Apprentus will find you another instructor or will refund your first lesson.
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