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Double bass lessons in Montreuil

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3 double bass teachers in Montreuil

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3 double bass teachers in Montreuil

I have much experience teaching students of all levels and am patient and open to all questions about music. A but about myself: Elam is a Jazz double bassist and composer. Originally from Israel, Elam is currently living and working in New York City. Elam graduated from the New school for Jazz and Contemporary music, and has had the opportunity to play and perform with distinguished artists such as Abraham Burton, Eric McPherson, David Bryant, Duane Eubanks, Jason Palmer, Joel Ross, Nasheet Waits, Will Sellenraad, Chris Beck, David Virelles, Donald Edwards, Mike DiRubbo, George Coleman Jr., Jonathan Voltzok, Yuval Cohen, Spike Wilner, Anthony Pinciotti, Ben Solomon, Don Hahn, Tom Oren and others. Elam has performed internationally in Bern, Berlin, Belgrade, Paris, Marseille, Vienna, Lublijana, Klagenfurt, Rostov, Zagreb, Krakow, Prague, Vigo and other places. Elam has performed at the Red Sea Jazz Festival twice with the Yuval Cohen Sextet and the JT and the magnificent soul big band, as well as at Carnegie Hall, Alice Tully Hall, Marseille Jazz festival, Bern Jazz Festival, Tel Aviv Jazz festival, Smalls Jazz club, Mezzrow, Duc des Lombards, Cangas Jazz Festival and others. Elam has had the opportunity to record as a sideman with such artists as Eric McPherson, Will Sellenraad, Omer Leshem, Tom Oren, Hillai Govreen and many others. His debut album as a leader “Sound-Elements” (scheduled to be released 2024) features legendary musicians Abraham Burton, Eric McPherson and Luis Perdomo
Double bass · Jazz music · Music theory
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Trusted teacher: I am an eclectic and curious musician, before any contrabassist. I am also a composer and arranger. After a master of sociology I make the decision to train myself professionally; I return simultaneously to the conservatory of Agen in jazz and conservatory of Bordeaux in classical to learn bass. Then, in 2014, I confirm a National Superior Professional Musician Diploma at the Pole Supérieur Paris Boulogne Billancourt through the training at the Didier Lockwood Music Center. I was trained retrospectively by Jean-Paul Macé, Kent Carter, Gilles Naturel, Marc-Michel Lebevillon, Cristian Diaz, Jean Michel Charbonel, Chris Jennings, Cristophe Dal-sasso, and Carine Bonnefoy (for writing). All these people have nourished my love and passion for music, which remains for me a long way to explore in search of new knowledge. It is the diversity of cultures and the wealth of knowledge that drives me to continue to study everything within my reach. I'm interested in jazz, classical music, Indian music, rock and electronic music ... I hate taboos and separations between the musical worlds and I think that everyone wins to share their knowledge and their modes of operation. My way of thinking about learning Music: I prefer to stay on a principle of pleasure and sharing specific to music. I find it important to adapt to feed the motivation of the student, especially for young people with whom it is very important to have a fun approach. Too many students leave demotivated classes of music schools or conservatory; that I practiced for 5 years (since despite my criticisms I still have a prize of jazz conservatory and I followed the training to obtain the DE of jazz which is a diploma of pedagogy). This involves learning the mechanisms based on improvisation, understanding chords, rhythm and melody. Regarding the repertoire I am based on the culture of the students, after all they are the main concerned! So the choices of the pieces depend on the desires and the tastes. The mode of learning depends on the musical style approached, for example I will not make music theory to someone who wants to play the AC / DC (unless he wishes) conversely a person who wants to address jazz can hardly do without notions about harmony. The purpose of this approach is to develop the independence of the student. The teacher is there to accompany the student at the beginning; he must not become a guardian who can sometimes be transformed over the years into a crutch! This is my way of seeing pedagogy!
Double bass · Guitar · Music theory lessons
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Only reviews of students are published and they are guaranteed by Apprentus. Rated 4.9 out of 5 based on 44 reviews.

Double Bass and Bass Guitar Lessons for all levels. Discover the Bass world with private lessons! (The Hague)
Andrea
I have learned a lot with Andrea! I have had classes with Andrea for about 5 months now, and I have the sense that I have learned a lot about the fundamentals of bass playing in a way that I really struggled with learning by myself. He is a very patient teacher when going through more difficult theories or movements, but I've walked away from every class knowing a bit more and feeling a bit more confident in my playing.
Review by EDWINA
MUSIC as you wish! DOUBLE BASS, BASS, THEORY / HARMONY (Brussels)
Francesco
I have had several lessons with Francesco, and he is an excellent teacher! I am a beginner on the Double Bass but have previously played other instruments and know a bit about theory, so I really appreciate his versatility in expalining different musical aspects. I strongly recommend Francesco if you are looking for a music teacher!
Review by MARCO
Lessons of Double Bass and/or Bass Guitar, classical and/or pop and rock music. (Leuven)
Daniele
My 15 year old son has really enjoyed his lessons with Daniele. Too early to tell whether he’ll continue long term, but Daniele has put him at his ease, encouraged him and generally created everything possible for a non-threatening entry into the musical world. Fully recommend Daniele as a bass guitar teacher.
Review by MIRIAM