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Discover the Best Private Music history Classes in Amstelveen

For over a decade, our private Music history tutors have been helping learners improve and fulfil their ambitions. With one-on-one lessons at home or in Amstelveen, you’ll benefit from high-quality, personalised teaching that’s tailored to your goals, availability, and learning style.

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7 music history teachers in Amstelveen

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7 music history teachers in Amstelveen

Hi all. I am a musicologist, music editor and opera specialist with 15+ years experience in casting, season planning, YAP design and artistic development in the field of opera, as well as university-level teaching experience and academic publications. I am currently residing in Taiwan under the Employment Gold Card programme, looking for local talent to develop either on an individual basis or with a local institution. Knowing Taiwan very well, I have always wondered why there are so few internationally renowned Taiwanese classical musicians. Let's try and change that situation ! Make me believe in your potential ! I am open to discuss artistic development programmes for upcoming Taiwanese opera singers, and to organise YAP, masterclasses and promotional events for Taiwanese institutions and universities. I can prepare detailed artistic development plans for individual artists and place recommendations with international organizations. I have a large network of international contacts which I can use to promote young Taiwanese artists abroad. I am open to take on editorial projects and international promotional activities for Taiwanese composers. I am open to work as a research advisor for postgraduate students in Musicology. I teach intermediate to advanced topics in my fields of expertise, including Opera Studies, Music Palaeography, Editorial Method, Source Studies and European Music History and Analysis. I am also open to suggestions for teaching or promotional activities according to the specific needs of individual artists, teachers, universities or institutions. Simply let me know what you need and we'll take it from there. ==> Be clear about your professional goals. Embarking on a PhD in performance is NOT the preferred road towards becoming a successful international artist. While I do teach music analysis, I do not dabble in "Music Theory" as taught at many US universities and colleges. Stuff such as Schenkerian analysis that was all the rage in the US some decades ago is an intellectual desert based on a nonsensical proposition of musical universality, with nothing to offer the young aspiring professional performer. Currently I teach and interact in English. I also have professional command of Italian, Japanese, French, Spanish and German. In the past I have taught advanced courses in English, Italian and Japanese. I am able to read Chinese, but I currently do not speak beyond the basics (A2). I may code switch between English and Italian, especially when discussing opera topics and while directing or auditioning singers. I expect students to know music notation and to be able to read vocal and orchestral scores. I will help you with the more advanced technical terminology. == My cv in brief == Qualifications: - PhD in Musicology with Opera Studies and Editorial Method (Leeds, UK, 2003) - Master of Music in Musicology with Opera Studies and Editorial Method (Leeds, UK, 1999) - Licence in Musicology (NOVA University, Lisbon, Portugal, 1996) Professional Experience: - 2008-present: Opera planning, casting and YAP design for opera houses worldwide; artistic development for singers - 2009-2016: Editor for CESEM, CIAO and Bärenreiter: Critical editions of "La testa di bronzo" and "Gabriella di Vergy" (Mercadante), and "Sigismondo" (Rossini). - 2008-2011: CIAO (University of Chicago) Post-doctoral researcher in the operas of Rossini under Philip Gossett; - 2004-2008: Artistic development advisor: Design and implementation of artistic development programmes for young artists in cooperation with casting departments at opera theatres worldwide; - 2004-2008: Independent Scholar (Tokyo University of the Arts) MEXT (文部科学省) scholarship for research in Japanese contemporary music and opera, with a focus on the operas of Miki Minoru (三木稔); - 2000-2002: Assistant Lecturer at the University of Leeds (UK), teaching "Issues in Opera" and "Music Palaeography Source Studies and Editorial Method". Taught advanced courses in Opera and Music Dramaturgy at Tokyo University of the Arts (2007) and University of Rome - La Sapienza (2010). Published academic papers and gave conference presentations on Puccini, Mercadante, opera dramaturgy and Japanese contemporary opera. Led the critical editions of the scores of operas by Rossini and Mercadante. Member of the International Musicological Society. Expert user of music notation software Finale.
Music history · Opera
Music history · Music teacher training · Music theory
Music history · Keyboard (music) · Music theory
Trusted teacher: Humans have invented three ways of exploring life: philosophy, religion and art. For me, music is the most effective one, as it works in time and it is in time how we perceive life. As a musician or a young composer you will need to equip yourself with the right tools in order to explore the world of music. I have designed my courses as a practical and deep guide made for young composers and musicians. Except from regular music lessons, I teach to people who they wish to study in Dutch Conservatories or in Music Academies and/or Universities abroad. Courses: - Music Composition Are you a creative mind? Are you ready to implement your musical ideas? In this course you will learn how to compose for instruments of you preference, composition techniques and basic rules of orchestration and instrumentation. I will guide you based on your compositional ideas and concepts in order to materialise the music that you have imagined. - Music Theory The focus of this course is to learn how theory and harmony function through a musical piece. Whatever your instrument is, having knowledge on classical harmony, will give you much more confidence in your performance. - Music History Learning the historic background of our musical legacy helps us to understand more in depth the musical languages and aesthetics of the past decades/centuries. In this course we will focus on important historic moments when important composers formed significant changes through the centuries. We will discuss what were these changes were about and what impact had for the next generations. - Orchestration - Instrumentation In this course you will learn how the notes work together. During our lessons you will be aware on how the great masters like Beethoven or Mozart created the masterpieces that we are still listening in concert halls.
Music theory · Music history · Music composition
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